Effect Menu

Contents

 * Manage...
 * Built-in effects
 * Nyquist effect plug-ins
 * Nyquist Workbench
 * Nyquist plug-ins included in Audacity
 * LADSPA effect plug-ins
 * LADSPA plug-ins included in Audacity
 * LV2 effect plug-ins
 * VST effect plug-ins
 * Audio Unit plug-ins (Mac only)

Manage...
Selecting this option from the Effect Menu (or the Generate Menu or Analyze Menu) takes you to a dialog which enables you to load and unload Effects (and Generators and Analyzers) from Audacity. This enables you to customize your Effect Menu making it shorter or longer as required. For details see Manage Effects, Generators and Analyzers.

By default all the Built-in effects, with the exception of Classic Filters, are loaded in Audacity.

Built-in effects
Audacity's built-in effects (those that appear in the program irrespective of the contents of your Audacity and other "Plug-Ins" folders) are above the divider in the Effect menu.

Amplify...
Increases or decreases the volume of the audio you have selected. When you open the dialog, Audacity automatically calculates the maximum amount you could amplify the selected audio without causing clipping (distortion caused by trying to make the audio too loud).

Auto Duck...
Reduces (ducks) the volume of one or more tracks whenever the volume of a specified "control" track reaches a particular level. Typically used to make a music track softer whenever speech in a commentary track is heard.

Bass and Treble...
Increases or decreases the lower frequencies and higher frequencies of your audio independently. It behaves just like the bass and treble controls on a domestic stereo system.

Change Pitch...
Change the pitch of a track without changing its tempo.

Change Speed...
Change the speed of a track, also changing its pitch.

Change Tempo...
Change the tempo of a selection without changing its pitch.

Classic Filters...
Provides three different types of filters which together emulate the vast majority of analog filters, and provides useful tools for analysis and measurement.

Click Removal...
Click Removal is designed to remove clicks on audio tracks and is especially suited to declicking recordings made from vinyl records. It will usually work best on very short clicks. For broader individual pops in selections up to 128 samples wide (about three milliseconds at 44100 Hz project rate), you could try the Repair effect.

Compressor...
Compresses the dynamic range by two alternative methods. The default "RMS" method makes the louder parts softer, but leaves the quieter audio alone. The alternative "peaks" method makes the entire audio louder, but amplifies the louder parts less than the quieter parts. Make-up gain can be applied to either method, making the result as loud as possible without clipping, but not changing the dynamic range further.

Echo...
Repeats the selected audio again and again, normally softer each time. The delay time between each repeat is fixed, with no pause in between each repeat. For a more configurable echo effect with a variable delay time and pitch-changed echoes, see Delay...

Equalization...
Adjusts the volume levels of particular frequencies.

Fade In
Applies a fade-in to the selected audio, so that the amplitude changes gradually from silence at the start of the selection to the original amplitude at the end of the selection. The shape of the fade is linear. The rapidity of the fade-in depends entirely on the length of the selection it is applied to.

Fade Out
Applies a fade-out to the selected audio, so that the amplitude changes gradually from the original amplitude at the start of the selection down to silence at the end of the selection. The shape of the fade is linear. The rapidity of the fade-out depends entirely on the length of the selection it is applied to.

Invert
Flips the audio samples upside-down. This normally does not affect the sound of the audio at all. It is occasionally useful for vocal removal.

Leveler...
Leveler is a simple, combined compressor and limiter effect for reducing the dynamic range of audio. It reduces the difference between loud and soft, making the audio easier to hear in noisy environments or on small loudspeakers. It is best suited to speech recordings but at heavier settings or used multiple times it can also be used as a simple distortion effect for voices or instruments.

Noise Reduction...
Reduces constant background noise such as fans, tape noise, or hums. It will not work for removing talking or music in the background.

Normalize...
Use the Normalize effect to set the maximum amplitude of a track, equalize the amplitudes of the left and right channels of a stereo track and optionally remove any DC Offset from the track.

Nyquist Prompt...
Launches a dialog where you can enter Nyquist commands. Nyquist is a programming language for producing and processing audio. For more information see Nyquist Plug-ins Reference.

Paulstretch...
Use Paulstretch only for an extreme time-stretch or "stasis" effect. This may be useful for synthesizer pad sounds, identifying performance glitches or just creating interesting aural textures. Use Change Tempo or Sliding Time Scale rather than Paulstretch for tasks like slowing down a song to a "practice" tempo.

Phaser...
The name "Phaser" comes from "Phase Shifter", because it works by combining phase-shifted signals with the original signal. The movement of the phase-shifted signals is controlled using a Low Frequency Oscillator (LFO).

Repair
Fix one particular short click, pop or other glitch no more than 128 samples long.

Repeat...
Repeats the selection the specified number of times.

Reverb...
Adds ambience or a "hall effect".

Reverse
Reverses the selected audio, so that it will sound as if it is playing from the end to the start.

Sliding Time Scale / Pitch Shift...
Allows you to make a continuous change to the tempo and/or pitch of a selection by choosing initial and/or final change values.

Time Tracks can be used to bend tempo more flexibly (also affecting pitch) using Envelope Tool.

Truncate Silence...
Automatically try to find and eliminate audible silences. Don't use with faded audio.

Wahwah...
Rapid tone quality variations, like that guitar sound so popular in the 1970's.

Wahwah uses a moving bandpass filter to create its sound. A low frequency oscillator (LFO) is used to control the movement of the filter throughout the frequency spectrum.

The phase of the left and right channels is automatically adjusted when given a stereo track, so that the effect seems to travel across the speakers.



Nyquist effects
Nyquist plug-ins provide most of the optional effects underneath the divider in the Effect menu. They are also used to provide some of Audacity's built-in audio generators and analysis tools. A wide range of additional Nyquist effect, generation and analysis plug-ins can be obtained from Download Nyquist Plug-ins on our Wiki.

The  button in most Nyquist effect dialogs opens a "Nyquist Output" window containing any informational or error output provided by the effect. This is primarily of use when writing or editing Nyquist plug-ins. After pressing in this window, the effect or other chosen action is attempted just as it would be if pressing OK in the effect instead of using the Debug button.

See Nyquist Plug-ins Reference and Download Nyquist Plug-ins in the Audacity Wiki.

Nyquist Workbench
For advanced users who can compile Audacity, Nyquist Workbench gives the ability to run arbitrary Nyquist code in Audacity from a graphical IDE (Integrated Development Environment). See Nyquist Workbench in the Wiki for details.



Nyquist plug-ins included in Audacity
The following sample Nyquist plug-ins are included in released builds of Audacity:

Adjustable Fade...
Launches a dialog box where you can choose the shape of the fade in or fade out to be applied. You can also create fades to and from other than silence or full volume. An example of this might be a fade in from 20% of the original volume to 80% of the original volume.



Clip Fix...
Attempts to reconstruct clipped regions by interpolating the lost signal.

Crossfade Clips
Applies a simple crossfade to a selected pair of clips in a single audio track.

Crossfade Tracks
Applies a crossfade to a selected region of a pair of tracks.

Delay...
A configurable delay effect with variable delay time and pitch shifting of the delays.

High Pass Filter...
Passes frequencies above its cutoff frequency and attenuates frequencies below its cutoff frequency; this can be used to reduce low frequency noise.

Limiter...
Limiter passes signals below a specified input level unaffected or gently reduced, while preventing the peaks of stronger signals from exceeding this threshold. Limiting is a type of dynamic range compression. Mastering engineers often use limiting combined with make-up gain to increase the perceived loudness of an audio recording during the audio mastering process.



Low Pass Filter...
Passes frequencies below its cutoff frequency and attenuates frequencies above its cutoff frequency; this can be used to reduce high pitched noise.

Notch Filter...
Greatly attenuate ("notch out") a narrow frequency band. This is a good way to reduce mains hum or a whistle confined to a specific frequency with minimal damage to the remainder of the audio.



Spectral edit multi tool
If a fully defined spectral selection has been made, choosing Spectral edit multi-tool applies the appropriate filter for the selection. See Spectral edit multi tool for more information.



Spectral edit parametric EQ...
If a fully defined spectral selection has been made, the effect applies a band cut or band boost according to the value you enter in the "Gain (dB)" control. See Spectral edit parametric EQ for more information.



Spectral edit shelves...
If a fully defined spectral selection has been made, the effect applies a low shelf filter, high shelf filter or combined low and high shelf filter according to the value you enter in the "Gain (dB)" control. See Spectral edit shelves for more information. 

Studio Fade Out
Produces a smooth and musical sounding fade out, by applying a sinusoidal fade with a progressive low pass filter from full spectrum at the start of the selection to 100 Hz at the end.

Tremolo...
Modulates the volume of the selection at the depth and rate selected in the dialog. The same as the tremolo effect familiar to guitar and keyboard players.

Vocal Reduction and Isolation...
Attempts to remove or isolate center-panned audio from a stereo track. Vocals are often (but not always) recorded in this way. The classic method achieves this by subtracting one channel from the other, but the result will be (dual) mono (this method can be found under the Actions menu in this effect as "Remove Center Classic (Mono)" and is a quick way to remove the center if only mono is needed). All other "Remove" options in this effect preserve the stereo image

Vocal Remover (for center-panned vocals)...
Attempts to remove center-panned audio from a stereo track. Vocals are often (but not always) recorded in this way. Vocals (or other audio) can only be removed with this plug-in when panned to center, in other words sounding equally loud in both left and right channels. Help text is available from within the effect's dialog box. This is a "Legacy effect": the same result can be achieved by using the Remove Center Classic (Mono) option in Vocal Reduction and Isolation.

Vocoder...
Vocoder synthesizes a modulator (usually a voice) in the left channel of a stereo track with a carrier wave in the right channel to produce a modified version of the left channel. Vocoding a normal voice with white noise as provided in the effect will produce a robot-like voice for special effects. Other carriers can be used for subtly different voices. Vocoder can only be applied to unsplit stereo tracks.

LADSPA plug-ins shipped with Audacity
One sample LADSPA effect is included with Windows and Mac builds of Audacity:

SC4...
A stereo compressor with a variable envelope follower for RMS / peak behavior. 

Adding a LADSPA plug-in
To add a LADSPA plug-in, put it in the Audacity "Plug-ins" folder: Then use to enable the LADSPA effects and load them into Audacity,  For details see Manage Effects.
 * On Windows and OS X the "Plug-ins" folder is in the directory where Audacity resides - usually C:\Program Files or C:\Program Files (x86) on Windows or the "Applications" folder on OS X.
 * On Linux, the "plug-ins" folder is in usr/share/audacity if you installed an Audacity package supplied by your distribution, or usr/local/share/audacity if you compiled Audacity from source code. Optionally a plug-ins folder can be created in the home directory ~/.audacity-files/plug-ins.



Saving LADPSA effect settings as a User Preset
To save the current effect settings as a User Preset, select Save As... from the Manage menu in the effect dialog which brings up the following dialog:
 * [[Image:SavePresetDialog W7.png|link=]]

Type a name for the preset then click after which the saved preset will appear in the "User Presets" list in the Manage menu.



LADSPA Effect Options
In the effect's dialog, click the Manage button then choose  to bring up the dialog illustrated below. When you change the options in this dialog, the changes apply only to the current effect that's open. All other LADSPA effects will remain at the default options shown below until you change their options.
 * [[Image:Ladspa effect settings.png|link=]]


 * Latency Compensation: This setting (enabled by default) compensates for waveform delay caused by LADSPA effects which preload audio data to a buffer. Compensation may not work in all cases, and for it to work, any compensation or latency reporting settings in the effect itself must be enabled. If compensation fails or if this Audacity setting is unchecked, effects that buffer audio will insert silence at the start of the processed selection and remove a corresponding amount of audio from the end of the selection. Enabling or disabling compensation is effective immediately.

LV2 effects
LV2 is a more advanced evolution of the LADSPA plug-in architecture. Note that LV2 effects in Audacity cannot yet display a full graphical interface.

To add a new LV2 effect, place its complete ".lv2" folder (not the files alone) at the top level of any of the following searched for locations, then use to enable the LV2 effects and load them into Audacity,  For details see Manage Effects.
 * Windows
 * Users\ \AppData\Roaming\LV2 (or Documents and Settings\ \Application Data\LV2 on Windows XP)
 * Program Files\Common Files\LV2 (or Program Files (x86)\Common Files\LV2 on 64-bit systems)
 * Mac:
 * ~/.lv2
 * ~/Library/Audio/Plug-Ins/LV2
 * /Library/Audio/Plug-Ins/LV2
 * /usr/local/lib/lv2
 * /usr/lib/lv2
 * Linux:
 * ~/.lv2
 * /usr/local/lib/lv2 or /usr/local/lib64/lv2
 * /usr/lib/lv2 or /usr/lib64/lv2



LV2 Effect Options
In the effect's dialog, click the Manage button then choose  to bring up the dialog illustrated below. When you change the options in this dialog, the changes apply only to the current effect that's open. All other effects will remain at the default options shown below until you change their options.
 * [[Image:LV2 effect settings - Linux image Calf Gate.png|link=]]


 * Latency Compensation: This setting (enabled by default) compensates for waveform delay caused by effects which preload audio data to a buffer. Compensation may not work in all cases, and for it to work, any compensation or latency reporting settings in the effect itself must be enabled. If compensation fails or if this Audacity setting is unchecked, effects that buffer audio will insert silence at the start of the processed selection and remove a corresponding amount of audio from the end of the selection. Therefore leave this option checked unless a particular effect does not work even after reducing the buffer size, in which case you can experiment by unchecking this option. Enabling or disabling compensation is effective immediately.
 * Graphical Mode: This setting (enabled by default) allows some effects to display a graphical (instead of a plain text) interface. If you change this setting you must close the settings dialog, then close and reopen the effect to see the change.

VST effects


Adding a new VST effect in Audacity
A wide range of VST effects can be obtained online. VST instruments are not supported. 64-bit VST effects are not supported on Windows or Mac OS X even on 64-bit systems. Conversely on Linux 64-bit systems, only 64-bit VST's are supported.

To add a new VST effect most easily, put its DLL (Windows), VST (Mac) or SO (Linux) file plus any configuration files or folders it requires in the Audacity "Plug-ins" or "plug-ins" folder inside the directory where Audacity resides.

Then use to enable the VST effects and load them into Audacity,  For details see Manage Effects.

Here is a complete list of locations where Audacity searches for VST effects.
 * Windows, Mac and GNU/Linux:
 * The Audacity plug-ins folder in the location Audacity is run from:
 * On Windows and OS X the "Plug-Ins" folder is in the directory where Audacity resides - usually C:\Program Files or C:\Program Files (x86) on Windows or the "/Applications" folder on OS X
 * On Linux you must add a "plug-ins" folder to /usr/bin/ (if you installed a packaged version of Audacity) or to /usr/local/bin (if you installed a self-compiled version of Audacity)
 * The "Plug-Ins" folder in Audacity's folder for application data.
 * Also on Windows:
 * C:\Program Files\Steinberg\VSTPlugins (or C:\Program Files (x86)\Steinberg\VSTPlugins on 64-bit systems).
 * Windows Registry key HKCU\Software\VST\VSTPluginsPath
 * Windows Registry key HKLM\Software\VST\VSTPluginsPath
 * All paths specified by the "VST_PATH" environment variable.
 * Also on Mac OS X:
 * ~/Library/Audio/Plug-Ins/VST
 * /Library/Audio/Plug-Ins/VST
 * All paths specified by the "VST_PATH" environment variable.
 * Also on GNU/Linux:
 * All paths listed in the "VST_PATH" environment variable
 * If no VST_PATH environment variable is found, the following are searched:
 * LIBDIR/vst (where LIBDIR is defined at build time)
 * /usr/lib/vst
 * /usr/local/lib/vst
 * ~/.vst.



Save As...
To save the current effect settings as a User Preset, select Save As... from the Manage menu in the effect dialog which brings up the following dialog:
 * [[Image:SavePresetDialog W7.png|link=]]

Type a name for the preset then click after which the saved preset will appear in the "User Presets" list in the Manage menu.

Export...
Presets for VST effects are exported to a file. A presets file lets you move settings for a particular effect between computers on any operating platform that supports that effect. Select Export... from the Manage menu in the effect dialog to bring up the "Save VST Preset As:" dialog Be sure to choose a file type in the “Save as type:” dropdown menu (“Format” dropdown menu on Mac) Type a name for the file in the "File Name" box ("Save As:" box on Mac) then click to export the current effect settings to a separate file. The following file formats are supported:
 * XML format: The default choice, which saves an Audacity VST preset file. This is the least flexible choice, mainly useful for the small number of effects that don't support FXP presets. Most other VST host applications don't support XML, so you may only be able to share XML presets between other computers running Audacity.
 * FXP format: Saves a standard VST program file, which is the most portable choice. It allows you to save the currently visible settings. The saved preset can then be loaded by the same effect running in Audacity or most other VST host applications, on any computer or operating platform it supports. Similarly FXP presets saved by a given effect in any VST host on any computer can be loaded into that effect in Audacity.
 * FXB format: Saves a standard VST bank file, containing the current settings of all the factory presets for the effect. The saved "bank" of factory presets at your favorite settings can then be loaded by the same effect running in Audacity or any other VST host application supporting FXB presets, on any computer or operating platform it supports. Similarly an FXB bank saved by a given effect in any VST host on any computer can be loaded into that effect in Audacity. By default presets are saved to the same location as the audacity.cfg file, but you can choose to save them anywhere. Since there is no distinction between preset files saved by different effects you may want to create a folder for each effect you save presets for, or include the effect name in the file name.

Import...
Select Import... from the Manage menu in the effect dialog to bring up the "Load VST Preset:" dialog Navigate to the place where you exported a VST preset file. Click the open button to load the settings. Depending on how the particular VST effect handles importing presets, the imported preset may show up in the User Presets submenu, the Factory Presets submenu or may not show up at all.

<div id="vst_options">

VST Effect Options
In the effect's dialog, click the Manage button then choose  to bring up the dialog illustrated below. When you change the options in this dialog, the changes apply only to the current effect that's open. All other VST effects will remain at the default options shown below until you change their options.
 * [[Image:VST_effect_settings.png|link=]]


 * Buffer Size: Controls the number of samples sent to the effect in each round of processing. The default buffer size of 8192 should be safe for all VST effects. You can set a higher value which will allow faster processing but some effects may not work at higher values. Changing the buffer size is effective immediately.
 * Latency Compensation: This setting (enabled by default) compensates for waveform delay caused by VST effects which preload audio data to a buffer. Compensation may not work in all cases, and for it to work, any compensation or latency reporting settings in the effect itself must be enabled. If compensation fails or if this Audacity setting is unchecked, effects that buffer audio will insert silence at the start of the processed selection and remove a corresponding amount of audio from the end of the selection. Therefore leave this option checked unless a particular VST does not work even after reducing the buffer size, in which case you can experiment by unchecking this option. Enabling or disabling compensation is effective immediately.
 * Graphical Mode: This setting (enabled by default) allows most VST effects to display a graphical (instead of a plain text) interface. If you change this setting you must close the settings dialog, then close and reopen the effect to see the change.

<div id="audio_unit">

Audio Unit effects
<div id="add_audio_unit">

Adding Audio Unit effects
To add a new Audio Unit effect, place it in either of the following system plug-in directories: Then use to enable the Audio Unit effects and load them into Audacity,  For details see Manage Effects.
 * ~/Library/Audio/Plug-Ins/Components (user plug-ins)
 * /Library/Audio/Plug-Ins/Components (system-wide plug-ins)

Save As...
To save the current effect settings as a User Preset, select from the Manage menu  in the effect dialog which brings up the following dialog:
 * [[Image:SavePresetMacDialog.png|link=]]

Type a name for the preset then click after which the saved preset will appear in the "User Presets" list in the Manage menu.

Export...
Each preset for Audio Unit effects is exported to a separate ".aupreset " file at. A presets file lets you move settings for a particular effect between computers.

To export a saved User Preset, select  from the Manage menu   in the effect dialog which brings up the following dialog:
 * [[Image:ExportAudioUnitPresetsDialog.png|link=]]

Select the user preset(s) you want to export then click to export each selected preset to a file. If there is only one preset in the list you must still select it, or nothing will be exported.

Import...
Select from the Manage menu  in the effect dialog which brings up the following dialog:
 * [[Image:ImportAudioUnitPresetsDialog.png|link=]]

Select the preset(s) you want to import then click to import each preset file as a User Preset.

<div id="au_options">

Audio Unit Effect Options
In the effect's dialog, click the Manage button then choose  to bring up the dialog illustrated below. When you change the options in this dialog, the changes apply only to the current effect that's open. All other Audio Unit effects will remain at the default options shown below until you change their options.
 * [[Image:AudioUnitEffectSettings.png|link=]]


 * Latency Compensation: This setting (enabled by default) compensates for waveform delay caused by Audio Unit effects which preload audio data to a buffer. Compensation may not work in all cases, and for it to work, any compensation or latency reporting settings in the effect itself must be enabled. If compensation fails or if this Audacity setting is unchecked, effects that buffer audio will insert silence at the start of the processed selection and remove a corresponding amount of audio from the end of the selection. Enabling or disabling compensation is effective immediately.
 * Graphical Mode: This setting (enabled by default) allows most Audio Unit effects to display a graphical (instead of a plain text) interface. If you change this setting you must close the settings dialog, then close and reopen the effect to see the change.