From Audacity Development Manual
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This is the default. It fades out the upper track, and fade in the lower track with linear fades (the same type of fade as is achieved by using the Fade In / Fade Out effects).
"Constant Gain" ensures that, as long as the original audio is not clipped, the crossfade will not clip - this is the default. However, "Constant Gain" crossfades may cause the overall volume to dip slightly during the fade.
Constant Power 1
"Constant Power" fades combat the tendency of the volume dipping, so will often be the preferred choice, though care needs to be taken when using this type of crossfade as the peak level may rise during the course of the fade.
"Constant Power 1" is generally a good choice as a general purpose crossfade effect.
Constant Power 2
As with "Constant Power 1", this option is also designed to maintain a fairly constant volume through the course of the fade. This variation of the constant power fade starts to fade in a little more rapidly than "Constant Power 1" and the crossfading may sound a bit abrupt in the first or last moments of the fade, though it may be preferred when crossfading songs that are beat-matched. This version is based on the legacy "Cross Fade In" and "Cross Fade Out" effects of previous versions of Audacity.
The preset options will cater for most crossfading tasks, but if fine control over the effect is required, the custom curve option may be useful. This option enables the "Custom Curve" slider control, which allows the rate at which the tracks crossfade to be manually adjusted.
This text box / slider control has no effect unless "Custom Curve" is selected as the "Fade Type". When enabled, it controls the curvature of the fade in a similar way to the "curve" control on a DJ mixer.
When set to zero, the crossfade is effectively the same as the "Constant Gain" preset.
High settings are useful if you want both tracks to be strongly present during the crossfade time, though it is not likely that the maximum setting will be often required. At maximum (1.0), the upper track will maintain close to full volume until close to the end of the crossfade, and will then fade out rapidly, while the lower track will fade in very rapidly to almost full volume. The overall volume is likely to be noticeably higher during the crossfade period.
When set to the half way position (0.5), the fade is approximately a "constant power" type curve, and will usually maintain a fairly steady volume throughout the crossfade.
The effect will attempt to automatically work out whether a fade-in or fade-out is required. This is the default and will usually give the correct result. If you get a fade-out where you want a fade-in, or vice versa, then undo the operation ( CTRL + Z) and use one of the other two choices listed below.
How automatic fade direction works:
The automatic setting is based on the proximity of the ends of the selection to the ends of the selected audio clip(s). If the start of the selection is closer to the start of the selected audio clip than the end of the selection is to the end of the audio clip, the effect creates a fade-in. Conversely, if the end of the selection is at or near the end of the selection, and the start of the selection is not at or near the start of the audio clip. then a fade-out will occur. In the unlikely event that both ends of the selection are exactly the same distance from the ends of the selected audio clip, the effect will fade out.
Alternating Out / In
The selected region in the first selected track will fade out. If more than one track is selected, the selected region in the next selected track will fade in. If more than two tracks are selected, the fade direction will continue to alternate fade-out / fade-in / fade-out... .
Alternating In / Out
The selected region in the first selected track will fade in. If more than one track is selected, the selected region in the next selected track will fade out. If more than two tracks are selected, the fade direction will continue to alternate fade-in / fade-out / fade-in ... .
Clicking on the command buttons give the following results:
- Manage presets. gives a dropdown menu enabling you to manage presets for the tool and to see some detail about the tool. For details see
- plays a short preview of what the audio would sound like if the effect is applied with the current settings, without making actual changes to the audio. The length of preview is determined by your setting in , the default setting is 6 seconds.
- Nyquist plug-ins.
applies the effect to the selected audio with the current effect settings, but unlike the effect runs in debug mode. This is primarily of use when writing or editing
- In addition to the normal plug-in behavior, a "debug window" opens to display error messages, normally the debug window will be empty.
- applies the effect to the selected audio with the current effect settings.
- aborts the effect and leaves the audio unchanged.
The first step is to align the tracks (they may be mono or stereo tracks) so that the start of the lower track overlaps the the end of the upper track. Typically this would be done using the Time Shift Tool. Then the overlapping region must be selected. Selecting may be achieved by clicking on the upper track at the start position of the crossfade, then while holding down the left mouse button, drag down and across to the end of the crossfade region in the lower track.
The Crossfade Tracks effect can then be applied to complete the fade out and fade in.
Optional extra stepsThe two tracks will automatically be mixed to one file on export, but if preferred, the tracks may be mixed down to one track within the project by applying Mix and Render from the Tracks menu. Mixing down to a single track can be useful when using "constant power" or custom curves, as it then allows the mix to be Normalized before export.
For additional information and advanced techniques, see the detailed article: Creating a Crossfade.